6.7/10
14,633
68 user 40 critic

Silent Movie (1976)

A film director and his strange friends struggle to produce the first major silent feature film in forty years.

Director:

Mel Brooks

Writers:

Mel Brooks (screenplay), Ron Clark (screenplay) | 3 more credits »
Reviews
Nominated for 4 Golden Globes. Another 1 win & 1 nomination. See more awards »

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More Like This 

High Anxiety (1977)
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At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis.

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An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.

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A spoof of Robin Hood in general, and Robin Hood: Prince of Thieves (1991) in particular.

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Spaceballs (1987)
Certificate: 6 Adventure | Comedy | Sci-Fi
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A rogue star pilot and his trusty sidekick must come to the rescue of a Princess and save the galaxy from a ruthless race of beings known as Spaceballs.

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Mel Brooks' parody of the classic vampire story and its famous film adaptations.

Director: Mel Brooks
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Cast

Cast overview, first billed only:
Mel Brooks ... Mel Funn
Marty Feldman ... Marty Eggs
Dom DeLuise ... Dom Bell
Sid Caesar ... Studio Chief
Harold Gould ... Engulf
Ron Carey ... Devour
Bernadette Peters ... Vilma Kaplan
Carol Arthur ... Pregnant Lady
Liam Dunn ... Newsvendor
Fritz Feld ... Maitre d'
Chuck McCann ... Studio Gate Guard
Valerie Curtin ... Intensive Care Nurse
Yvonne Wilder ... Studio Chief's Secretary
Harry Ritz ... Man in Tailor Shop
Charlie Callas ... Blindman
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Storyline

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Release Date:

3 February 1977 (Netherlands) See more »

Also Known As:

La última locura de Mel Brooks See more »

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Box Office

Budget:

$4,400,000 (estimated)

Gross USA:

$36,145,695
See more on IMDbPro »

Company Credits

Production Co:

Crossbow Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo (Westrex Recording System)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mel Brooks and his writers concocted a sight gag they loved, in which the customers at a seafood restaurant would be human-sized lobsters, who pick terrified humans out of an aquarium to be cooked for dinner. However, the gag bombed at sneak previews, and was deleted. See more »

Goofs

In the commissary scene, a wooden brace can be seen supporting Liza Minnelli's table so it wouldn't collapse under the weight of the suits of armor. Later, the wooden brace can be seen on the floor under the table. See more »

Quotes

Mel Funn: [mouths, very clearly] You son of a bitch!
[an insert title appears, which reads: "You bad boy."]
See more »

Crazy Credits

When the movie starts, the word ''HELLO'' can be seen. Then the camera zooms on the O and Hollywood can be seen. See more »

Alternate Versions

Deleted from broadcast versions: Mel Funn (Brooks) mouthing the words "You son of a bitch!" to Marty Eggs (Feldman), followed by a title card bearing the words "You bad boy!" See more »

Connections

Referenced in Deadpool (2016) See more »

Soundtracks

I Left My Heart In San Fransisco
(uncredited)
Written by George Cory (as Cory George C. Jr.) and Douglass Cross (as Cross Douglass)
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Go-For-Broke Gagfest
22 May 2010 | by jzappaSee all my reviews

I suppose if anything epitomizes the style of Mel Brooks it is audacity, obscenity and a forthright quality that others seem either reluctant to use or often overplay with disastrous results. Brooks will do anything for a laugh. Anything. He is, for all intents and purposes, incapable of embarrassment. He's a rabble-rouser. His movies abide in a world in which everything is likely, especially the outrageous, and Silent Movie, where Brooks makes a bountiful aesthetic gamble and pulls it off, makes me laugh abundantly. On the Brooks calibration of amusement, I laughed not too radically more or less than at Young Frankenstein, Blazing Saddles or The Producers. It just doesn't have the subversive and ironic panache of those classic films.

Brooks' fifth film as director, Silent Movie is streamlined fun. It's obvious in almost every shot that the filmmakers had a party making it. It's set in Hollywood, where Big Pictures Studio lurches on the brink of Chapter 11 and a merger with the mammoth Engulf and Devour syndicate, a daintily disguised reference to Gulf+Western's Paramount takeover. Enter Mel Funn (guess who), a has-been director whose career was stopped cold by drunkenness, who pledges to salvage the studio by persuading Hollywood's biggest stars to make a silent movie. This is a scenario that results in countless inside jokes, but the thing about Brooks's inside jokes is that their outsides are funny as well.

The wild bunch of Mel, Dom DeLuise and Marty Feldman embark to charm the superstars, resulting in the shower of one, who counts his hands, confused, and discovers he has eight; and swooping another out of a nightclub audience. There are several "actual" stars in the movie, but the fun is in not knowing who's next. Everything transpires surrounded by a glossary of sight gags, classic and original. There are bits that don't work and durations of up to a minute, I guess, when we don't laugh, but a minute can feel pretty long. Perhaps it is Brooks' desire to control all that displaces an objective view of what will work.

Nevertheless, in a movie overflowing with skillful Chaplin-, Keaton- and Laurel and Hardy-inspired set pieces, these parts are the chef d'oeuvre: Right before seeing the Studio Chief, Mel and his friends cross their fingers for good luck, and Mel can't uncross his. He shakes hands with the Chief, and the Chief's fingers are crossed rather than Mel's. The Chief then passes this crossed state to his secretary's fingers the same way. Another running gag is obvious discrepancy between the title cards and what the characters are really saying. The spoken lines are inaudible, as it is indeed a silent movie, but they can be clearly lipread. At one point Brooks asserts misgivings about DeLuise's idea of a silent movie by shouting "That's crazy!" as well as an agitated mouthful, but the screen says "Maybe you're right." In another scene, Marty hits on a nurse but gets slapped. When he gets back in the car, Mel obviously mouths a curse word, although the screen says "You bad boy!" And then there's the scene where Feldman and DeLuise haphazardly unplug and plug in his heart monitor various times, winding up changing the screen to a ping pong game and playing while the Chief flatlines and recovers over and over. Brooks stands outside the majority of Jewish comics and filmmakers in his lack of self-derision and in the success of his main characters, but still, humor is his own defense mechanism against the world, and he goes for broke.


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