A conflict develops between a troubled Vietnam veteran and the sister, with whom he lives, when she becomes romantically involved with the Army buddy who reminds him of the tragic battle ... See full summary »
David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
A comedy about a screenwriter (Robert Wuhl), whose old movie script is read by a producer (Martin Landau) and the search for financial backers begins. But it seems that each money source (... See full summary »
The nickname given to the murder victim is "The Virgin Tramp". See more »
During the autopsy of porn actress Lois Fazenda, her eyes shift from looking up, then down slightly, then more wide-eyed from one shot to another. See more »
How's ma? Is she still eating with her fingers?
Well, she says the early Christian martyrs didn't have spoons.
Tell her they didn't have Instant Cream of Wheat, either.
See more »
This story is somewhat loosely based on the story of Elizabeth Short, widely known as the Black Dahlia. For decades the mystery of her death plagued the LAPD., and, despite the gruesome dénouement in True Confessions, the killer of the Black Dahlia was never found.
The murder mystery was dramatized in a novel by James Ellroy, perhaps better known for the more successful, though in many ways definitely inferior, L.A. Confidential. In 2005 a somewhat low budget adaptation was made with a present day setting, and most recently a Brian De Palma film, regarding which, a must miss, was released, based on Ellroy's novel and starring Canadian Mia Kirshner in the title role, along with the likes of Scarlett Johansson, Josh Hartnett, and Hillary Swank.
Despite all this attention, imitators will be hard pressed to match the desolate and subdued brilliance of this telling of the popular mystery, owing in no small measure to the immensely talented cast. DeNiro's portrayal of Monsignoir Spellacy, an Irish priest with a decidedly human side, is positively stunning, in the manner of DeNiro's other historic performances of the era. Duvall, as his flawed but well intentioned brother and LAPD detective, renders what may be the finest performance of his long and illustrious career.
Most of the period references will not be appreciated by today's movie viewer, but the zeitgeist is beautifully captured. The reality of the characters is stunning, even though they are necessarily stylized to a large extent. The tone, pace, and style of the movie are sharply reminiscent of The Godfather, although True Confessions relies much less on violence and noise, and more on character and plot.
Central to the story is the uneasy relationship between an ambitious priest and his hard-boiled detective brother. The two clash over scattered entanglements that reach deep into the LAPD, the Catholic church, and the wealthy and elite LA community. When events and evidence surrounding the mutilated corpse of a would-be actress begin to tighten the noose around a small and corrupt group that spans all these borders, the relationship of the brothers becomes increasingly strained.
Institutions of wealth, power and influence are exposed to the increasingly unforgiving glare of reality. The scope of the story is epic, but the treatment is intimate. The combination is breathtaking.
Scattered about the edges of this subtle and majestically paced masterpiece is a complex thought provoking mystery, but be warned. The story that unfolds is not an easy one to watch. Avoiding a trite ending, the film instead seems to fade into an uneasy, but inevitable, twilight, in which defeat, loss and resignation replace the ambitions and illusions of youth.
Despite the grisly and disturbing events of the story, and notwithstanding the epic tragedy of the final act, True Confessions is, ultimately, an uplifting story about redemption through adversity. The final scene has a huge emotional payoff, but only if you have invested in the story from the beginning.
Standouts in the magnificent supporting cast include Charles Durning, as a fading influence peddler, and the incomparable Rose Gregorio as a burned out madam known to, but abandoned by, all. And one cannot fail to mention the amazingly sensitive portrayal by Burgess Meredith of DeNiro's mentor, father confessor, and, in many ways, eventual savior, Father Fargo.
All in all, this is, quite simply, the finest crime drama ever, rich with performances so brilliant, so masterful, that you will be left speechless, even after many viewings, which is, of course, the only way to appreciate so complex and subtle a masterpiece. I recently got the widescreen DVD version, and can once again experience True Confessions as I remember it; delicate, moving, brilliant and thought-provoking, as well as in its proper aspect ratio.
67 of 86 people found this review helpful.
Was this review helpful to you?
| Report this